English 108 Introduction to Drama
Autumn 2010

"Ritual and Performance"

California University of Pennsylvania
3 credits

T&Th 9.30 - 10.45
Keystone Hall 102

M. G. Aune

Office Hours TTh 7.00 – 8.00 & W 2.00 – 5.00 221 Azorsky Hall (724.938.4341)

T&Th 3.30 - -5.00 Honors Area (724.938.4535)

and by appointment


aune(at)calu.edu

 

Quizzes

There will be ten, brief, ten-item unannounced quizzes. They will consist of short answer and identification questions. They will cover the reading for that day and any terms and concepts discussed in previous classes or presented during lectures. The quizzes will be handed out at the beginning of class and collected after fifteen minutes. Quizzes may not be made up.

Examinations

There will be two examinations.  They will only cover the material in that section, that is, the final examination will not be cumulative.  The exams will consist of a take-home portion given out the class before the exam.  The take-home will ask you to answer one or two question in depth and following the format requirements described above.  The in-class portion will include short answer, quote identification, vocabulary, and usually an essay question.

 Performance Projects

As a means of exploring how performance alters the way we understand a play text, in groups, you will be given an opportunity to perform a selection from a play we are reading this semester.  The project will be done in groups.  Your group will have thirty minutes at the beginning of class on the day scheduled in the syllabus.

            The objective of your project is to use performance to show how a performance can affect an audience’s understanding of a play.  To do this, you will choose a brief (c. 200 – 500 line) scene or part of a scene from a play we are reading this term.  You must cast, costume, prepare a script and direct the scene. The performances will take place in the classroom, so observe the potentials and the limits of the space.  The script must contain the actual lines, speech prefixes, stage directions, director’s notes, and any other information used for your scene.  It is due the day of the performance. 

You will perform this scene for the class in two different ways to express two different understandings of the play.  For example, a group might choose Othello 1.2 (where Iago, Othello, and Roderigo confront Brabantio) and stage the scene where Othello is confident and commanding because he knows he has done nothing wrong.  Then a second version where Othello has self-doubts about what he has done.  How you communicate the differences, of course, is part of your task.

            You will be evaluated in two ways.  Twenty-five of the one hundred possible points will be based on your interpretations of the scene and how effectively you communicate that interpretation to the class.  (You will not be judged on your acting ability.)  This score will be modified by the peer response forms in order to determine each student’s score.  The remaining fifty points will be based on a three to four page written (following all the rules) explanation of your (not your group’s) interpretation of the scene.  Each group member is to work independently on the written portion.  This part of the project is due on the day of the performances.

 

Group rules

In order for evaluation and grading to be consistent and reflect work done by individuals in your performance project, a number of procedures must be followed.  Ethical group participation means that each member is responsible for the group’s performance.  Each member must contribute as well as encourage others to contribute.

During the first group meeting, the group must generate an agreement that describes the group’s goal.  The goal will be to earn a high score on the project, but in a manner that values the opinions of all members.  Group members must be committed to the group’s goals, complete their individual tasks, avoid interpersonal conflict, encourage group participation, and keep the discussion focused.  This document is to be no more than one page, it must list the group number, each member’s name and contact information (whatever means is most reliable), the group’s goal, and the responsibilities of members.  Each group member and the instructor must receive a typed copy of this and a copy must be included with the materials you give me.

Each group must meet at least twice outside of class for each project. 

On the day of the performance project each group member must turn in a Group Member Evaluation Form for each member.  Each member must also fill out and turn in a Peer Rating of Group Members.  If these forms are not turned in on time, ten points will be deducted from the final score.  These forms must be completed before class.  They are available for download from here or the D2L site.

     

Oleanna Review

We have talked at various points about how particular parts of the plays we have read might appear on stage.  We’ve looked in particular at moments of ambiguity, when the text does not provide a clear guide as to what the audience sees.  Directors and their acting companies must address these moments and decide what does or does not happen.  These decisions reflect the director’s interpretation of the play.  Thus, an important element of reviewing a dramatic performance is familiarity with the play being performed and recognizing a director’s interpretive choices and how these choices affect the play as a whole. 

This is a three to four page formal review of the film of Oleanna that we watch in class.  This is to be a formal review, not like a brief newspaper or popular magazine review.  The review should have three parts:

1. An introduction, which gives the basic information about the play/film, date, director, lead actors, length, etc.  This should be no more than a paragraph and introduce only the characters mentioned later in the review.

2. The second part is a summary of the film.  This is not a summary of the playscript, but of the film that you saw.  It is conventional, but must address any changes made to the basic playscript.  The summary should be no longer than two paragraphs.  3. The third part is your analysis of the film.  As an interpretation of a play, what are its strengths and weaknesses?  The analysis should take up about two-thirds of the review.  It should have a thesis statement or argument that presents your opinion of the director’s interpretation.  An example might be, “Michael Almereyda’s film of Hamlet successfully adapts Shakespeare’s play to a postmodern, urban, American context.” 
This website was created using Microsoft SharePoint Designer at the English Department of California University of Pennsylvania, by M. G. Aune for use by the students enrolled in English 108 Autumn Term 2010. All images and text, unless otherwise noted are copyright 2010 by M. G. Aune.

This page was created August 2010.